Defining Fair Use in the Digital Era
The increasing prevalence of technology, and the ease with which the public and companies can reproduce, recombine, and reuse copyrighted works, has rendered the once-confusing fair use doctrine a virtual uncertainty. Given limited congressional guidance, courts have relied heavily on the secondary use’s potential effect on the market for the original work. While this reliance is based on the valid concern of maintaining adequate creative incentives, the enormous growth of licensing markets has resulted in an overemphasis on economic concerns. Recent court decisions indicate that fair use now turns not on the protection of creative incentives, but rather the preservation of a maximum revenue stream for authors. Yet fair use, along with the copyright system, was designed for public, not private, benefit. Excessive concern for private gain will cause a chilling on the development of new technologies. Therefore, the author concludes when the social value of a secondary use is high, and its impact on the market is not only de minimis, but unlikely to diminish an author’s creative aspirations, the secondary use must be permitted for the public good.
Intellectual Property Law | Internet Law | Science and Technology Law
Date of this Version
Joseph James Raffetto, "Defining Fair Use in the Digital Era" (August 10, 2006). bepress Legal Series. bepress Legal Series.Working Paper 1517.